I found my way to photography through my love of cinema and painting. Through the idea that images can hold mood, thought, and feeling without explaining themselves. The human face as an infinite one. I’m drawn to geometry—and to the imperfections that interrupt it. Faces. Streets and alleys. Buildings marked by time and human touch. Cities fascinate me as these monumental human constructions.

Each photograph begins with a choice. Sometimes instinctual—the decisive moment, where seeing and timing meet. A camera, a lens, a format follow. Not for technical correctness, but for what feels right. Tools shape attention, and limitations sharpen intent.

A still image allows life to stop. In that stillness, small yet precious things surface.